25 Best Singers in the World | Best Singer Ever in the World | Worlds Best Singer

25 Best Singers in the World | Best Singer Ever in the World | Worlds Best Singer

"I can do a record with Elton John, I can do 'One' with Bono, I can work with Method Man, Jay-Z, and no one says, 'Why is she doing that?' " says Mary J. Blige. "And that's because I know exactly who I am and what I want." Blige's 1992 pairing with rookie Sean "Puffy" Combs for What's the 411? defined a new era for R&B, matching new-jack attitude with old-school emotion and songcraft. "She's the true heir to Aretha Franklin," duet partner Sting once said. Sixteen years later, Blige's exposed-nerve vocals keep getting more precise and more powerful. "I'm vocally the strongest I've ever been," says Blige. "I did the work, and now I can do whatever I want to do."

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Top 10 singer information
1)Dimash Kudaibergen Born: May 24, 1994 (age 23)
2)ed_sheeran Born: February 17,1991 (age 26)
3) Chris Brown Born: May 5, 1989 (age 28)
4)Conor Maynard Born: November 21, 1992 (age 25)edit
5)Steven Wilson Born: November 3, 1967 (age 50)
6)Koji Tamaki Born: 13 September, 1958(age 59)
7)Marko Saaresto Born: 5 December 1970(age 47)
8)Justin Bieber Born: March 1, 1994(Age 23)
9)Charlie Puth Born: December 2, 1991 (age 26)
10)Shakira Born: February 2, 1977 (age 40)


Robinson would produce, co-arrange, co-write and sing on Ten New Songs, making it a true collaboration. Cohen gave Robinson some lyrics he had written and she built the music around them. Cohen was so impressed with Robinson's demos that she ended up singing all the songs with him, including several leads. "At his insistence," Robinson clarified to Mojo's Sylvie Simmons. "It's ironic, isn't it, that the man who's got this voice that women swoon over just wants to hide it away?" The album was recorded by Robinson and Cohen in virtual isolation, with Leanne Ungar engineering and Bob Metzger adding guitar to the LP's first single, "In My Secret Life." In 2010, Robinson spoke about the recording with Cohen biographer Anthony Reynolds:

The way the album came about is linked to the actual sound of it. The album had a unique path and it wasn't done in the way an album is normally done. It was also recorded pretty much in the order it plays in...The recording was some kind of extension of his time at Mount Baldy. He was still very reclusive during this time...I would initially sing and play everything, at the time not knowing if we were bringing in other musicians or singers. Of course as it turned out, we didn't so my voice stayed because Leonard liked what he was hearing.
Robinson also divulged to Reynolds that most of the album was recorded in her three-car garage that was adjoined to her house (which she had converted to a studio) and that she would take the raw audio on a portable hard drive to Leonard's converted studio above his garage. The album was Cohen's first to be recorded completely digitally. "There's a sense of relaxation in the tunes that comes through," the singer enthused to Nick Patton Walsh of The Observer in 2001, "there's a kind of pulse, an invitation to get into it - a groove." Although the album has an adult contemporary, R&B feel ("Boogie Street," "That Don't Make It Junk"), several songs contain themes of unspeakable desolation and loneliness, including "By the Rivers Dark" and the brooding "A Thousand Kisses Deep," reinforced by the album's contained, almost womb-like feel and sound. Several of the tracks on Ten New Songs existed in some form or another long before they appeared on Cohen's tenth studio album; Cohen first revealed he was working on a new song called 'My Secret Life' in 1988,[4] and, in 1995, Melinda Newman of Billboard reported that two tracks, "My Secret Life" and "A Thousand Kisses Deep", were "close to completion..." "I’d like to have a very intimate kind of record," the singer confided to Newman at the time, "of a very different nature than actual songs." "In My Secret Life," a song that wound up being an ode to unrequited love, became the album's first single with an accompanying music video that was filmed in Montreal at Habitat 67. Other songs, such as "Alexandra Leaving" (based on "The God Abandons Antony", also translated as "The God Forsakes Antony," a poem by Constantine P. Cavafy, published in 1911) and "You Have Loved Enough," imply departures of some sort or another.
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